Persuasion can be effective, especially when critics make their voices heard. We need to try to persuade each other about the proper standards for whom we memorialize and how we deal with monuments to figures from the Spanish and Anglo American settler colonial past. When Southern state governments prevented cities and counties from making their own decisions, many historians celebrated extreme efforts by local governments and private individuals to evade those stifling prohibitions.īut San Francisco operates under no such limits. Many of those statues were propaganda for Jim Crow segregation, and removals could lead to engagement with history, not evasion of it. historians have urged federal, state and city governments to dismantle the memorialization of traitorous Confederate slave owners. Some monuments should come down, and Confederate monuments are the simplest target. The toppling of Ulysses Grant’s statue in Golden Gate Park on Friday night reminds us that we need an engaged, passionate debate about Grant’s legacy, but we cannot depend upon the whims of a dictatorial mob to deepen our understanding of our nation’s troubling history. Grant after the statue was toppled and the base defaced at Golden Gate Park, on Saturday, June 20, 2020, in San Francisco, Calif. Together they succeeded in saving what Washington had established.Comments James McCormick, 3422: Park Section II Supervisor, Japanese Tea Garden and Music Concourse, San Francisco Recreation and Parks, pressure washes the pedestal of Ulysses S. On the other end of the mall the great man of action, Grant, sits astride his proud horse, Cinicinnatus. On the far west end sits the great thinking man, Lincoln. At the center, the Washington Memorial speaks to the founding of the country. Later that year, the Lincoln Memorial was completed and the Mall’s narrative was set. Two weeks before the memorial was dedicated, Shrady died. The Grant Memorial Commission members, chaffing at the slow pace, pushed Shrady to work faster finally insisting he complete his work by the 100th anniversary of Grant’s birth. Shrady, taking great pains with every detail, pored over flags, uniforms, weapons, people, animals, and equipment to ensure they were accurately reproduced. He joined the National Guard for four years to better understand military practice, borrowed Civil War uniforms, equipment and artillery, and convinced the military to run drills that would allow him to study the movements of soldiers and their horses. Shrady immediately immersed himself in the details of Civil War battles. Sculptor Henry Merwin Shrady and architect Edward Pearce Casey won the design commission. In 1901, Congress authorized $250,000 for a memorial to the Grant Memorial Commission, the largest sculpture commission of the time. Grant Memorial with the Washington Monument and Lincoln Memorial in the background, 1901–22, marble and bronze, 520 x 500 x 120 cm, Washington D.C. Henry Merwin Shrady (sculptor) and William Pearce Casey (architect), Ulysses S. armies. He led the Union troops to victory time and time again, culminating in the surrender of General Robert E. Grant was a two-term president, brilliant strategist ,and resolute commander in chief of all U.S. The monument’s origins go back to 1895, when The Society of the Army of the Tennessee proposed a memorial to Grant. Both the Artillery and the Cavalry groups leave the visitor with narrative questions that will never be answered. Even terrain under the cart is uneven and rutted. The three riders appear both anxious and resigned as they brace themselves to be pitched to the side. While the other two horses attempt to stop, the third plunges ahead causing the driver to lose control. Three horses and five men bring forward a cannon but the bridal of the lead horse has broken. To the left of Grant is the equally dramatic portrayal Artillery. Henry Merwin Shrady (sculptor) and William Pearce Casey (architect), Artillery, 1912, marble and bronze, Washington D.C. Elena FitzPatrick Sifford on casta paintings
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